Opinion: Stop Hating On Wyclef and Yele
Wyclef Jean, for those who have not been attuned to hip-hop prior to Cash Money or Young Jeezy, is a Grammy-winning, internationally known hip- hop artist who single-handedly put Haiti on the map. Through his artistry and advocacy, he brought to light the history of Haiti for many who were just too young or simply never cared enough to realize Haiti’s rich history. It was the first country that freed itself from slavery and not only overthrew that heinous institution, but defeated the whole lot of French rule.
Wyclef in his music has always paid homage to his homeland, and shared the culture and pain of his countrymen unashamedly. He did this at a time when many Black Americans shunned any relationship to Haiti. At the height of his career as a member of the Fugees, (group first named ‘Refugee Camp’ for the conditions many Haitians find them selves when arriving on American soil) the group went back to Haiti and took several media outlets to document the plight there. Subsequently, that trip garnered Haiti prime shine in various magazine articles. During his solo career, Wyclef went back further still to his roots, releasing a full CD in creole titled, Welcome to Haiti Creole 101. And then in 2007, pledging a more substantive allegiance to his native land, Wyclef became a Haitian ambassador for the government.
Wyclef Jean refused United Nations protection for a trip through Cite Soleil, Haiti’s most notorious, gang-infested slum, relying on his popularity to keep his group safe. “I am putting myself in the front line because I want that change to happen.” Jean said.
This to me, speaks volumes of his love and honor of his country. But greater than that it speaks of the mutual respect and pride the country has for him.
More after the click!
So why is it when a native son of Haiti yells out for relief from the devastation that has demolished his beloved land, why would there be questions of his intentions? What force would rally against his efforts and bring questionable allegations regarding his foundation http://yele.org
Smoking Gun posts IRS returns for the year 2009. Listing the foundation as being in operation for “12 years,” they say accounting has not been so transparent. Maybe it hasn’t. But check the records of many and you’d be hard-pressed to find squeaky clean accounting, even among the most financially prudent. But they continue to try and smear this guy by pointing out he “paid” himself for rent and performances.
Check it… just on some real plain and simple hood logic: if you open a business/not-for-profit, foundation, charity, church, etc. you have to keep the lights on. Most times, that money is coming out of your very own pocket. You do what you must to hold yourself afloat until things start rolling. In the grand scheme of things, if you have an accountant savvy enough, you’l wind up writing a large amount off. Isn’t that what every tax paying American seeks out like a leprechaun searching for a pot of gold, that tax-incentive? I’d like every politician to disclose personal or affiliated returns for the public. Of course I know they have to go through the motions of making them public, but when is the last time your elected official directed you to his/her returns and they were in plain view? Uh, huh.
For me, I just can’t see what the deal is. For one, yes he may have performed at a charity event, yes yes I know his foundation gave it. But who said the band played for free? Did the production company who handled stage, lighting, hotel, travel, catering, security, attorney fees, and on and on the list could go. Did those entities get tossed in for free. Come on. In America? I doubt it. He probably had to pay them folks..
I am signing off. And if you’re looking for me, I’ll be tweeting away, reminding you to text yele to 501501.




i think this highlights why it’s so important that artists hire professionals to run their foundations. So many times I’ve heard stories about how celebrities let friends and family run their philanthropy and it rarely works out for the positive.